long fingers and disproportianate height make perfect sense to me.
Imagine the coloration of the shroud being caused by the brilliant
white-hot light of the risen Lord discoloring the fabric as his "body"
is restored to it's now supremely enlightened state. And the body
moving in an instantaneous but angelically slow in regal motion. The
forefinger seperating from the others first and them the middle finger
following it. Dragging across the fabric and removing it from the
other fingers in subsequent sequence and creating the appearance of
disproportion.
Imagine both legs lifting simultaneously from mostly bending at the
hip. The feet experience the same excess duration of contact as the
body emerges from the cloth and by this time the hands and arms have
removed the top half of cloth from contact with the front of the body.
DaVinci was a step ahead of todays investigators. Smart dude
Eliot
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